This project explores the global reconfiguration of modernity in the nineteenth century by moving beyond national frameworks and rethinking Eurocentric, imperial, and colonial paradigms. Rather than treating modernity as a fixed or universally shared model, it approaches it as a historically contingent and culturally mediated process shaped by diverse forms of representation, media, and embodied practices across different cultural contexts.
Focusing on shared structural patterns—such as narrative forms, media regimes, and modes of affect—the project examines how modern experience was produced, negotiated, and communicated through texts, images, and embodied practices. It also engages with recent approaches in global history, environmental history, and posthuman studies, with particular attention to translation practices, cross-regional circulation, and the reconfiguration of cultural models.
The project aims to develop a multi-layered understanding of the global nineteenth century while preserving the historical specificity of local contexts.
Daisuke Adachi (Slavic-Eurasian Research Center, Hokkaido University)
Olha Romanova, PhD, is a researcher at the Shevchenko Institute of Literature of the National Academy of
Sciences of Ukraine. Her academic interests include world literature, literary theory, and comparative studies.